Fu Xiaodi 
Pauleen 
TianYuran 
Lu Yunyan 
Lu Ching-Cheng 
Guan Aiyisi 
Resident Evil: A Horror Film That Could Have Been Better
Michael Chiodo Zach Cregger’s Resident Evil gets a lot right. The atmosphere is eerie, the jump scares are effective, and…
The Perfect Wife Is a Performance: Why Yesteryear Gets Under Our Skin
Bryana McGowan A critical review of Caro Claire Burke’s Yesteryear (2026)
Shifting Perceptions: Ruah Art Exhibition
Audrey James Above Len James’ image: Homeless Man Medium: Charcoal and Chalk The Perth Town Hall is a central landmark…
Leviticus review – queer love, isolation and betrayal in rural Australia
Adam O'Neill Sparse, wide streets; empty, overgrown yards stretching to dilapidated fibro houses; and sun-baked fields bounded by rusted and…
Higgsfield’s AI Film Festival is the Dawn of a New Era
Tarkyn Sharples Higgsfield Global Film Festival web page screenshot of submissions From August 10 to September 16, 67,223 submissions poured…
Remarkably Bright Creatures with a dark theme
Sonya Murphy Remarkably Bright Creatures opens with Marcellus, an aging giant Pacific octopus, in his tank at the aquarium talking…
The Devil Wears Prada 2 Review: Even Miranda Can’t Bully a Budget
Shannan Miranda and Nigel occupy the foreground while Andy stands behind them, a visual echo of Runway’s familiar hierarchy.…
V/H/S/Mixtape: A Bloody Sound Time
Paul L I’ve always had a soft spot for sci-fi and horror anthologies. From The Twilight Zone to Creepshow, Monsters…
Resident Evil (2026): The Franchise that Refuses to Die
Nicole Campbell *Minor spoiler warning for Resident Evil (2026). Feature image via IMDb* You wouldn’t be alone in having low…
Fjord Film Review – When the State Collides with Family Values
Nicolas Jorquera Image courtesy of Goodfellas. © 2026 Fjord Production. All rights reserved. Used for promotional and editorial purposes. via…